The devil is in the detail, and that can particularily be said in the case of Japanese traditional arts. For the Edo-period courtesan women called Oiran everything was planned down to the tiniest detail to make sure that they performed their role to perfection, and they even had their own walking style known as the Soto-hachimonji (外八文字). Soto-hachimonji can be translated into something like "outside 8-shape", and simply put this technique involves drawing the character 8 with your feet as you walk. Add the 15-cm high geta shoes and the 30-kilo costume and you might start to get an idea about how tough this must have been back in the days.
All posts about the Tsubame Sakura Matsuri
As you can imagine there's a certain risk involved in the combination of a 30-kilo outfit and 15-cm high shoes. Luckily each one of us are paired up with a person playing a support role called Houkan (ほうかん). As the Oiran walks she rests one hand on the Houkan's shoulder, and the Houkan follows her move to make sure she can keep her balance and strength.
For our practice we were accompanied with some of the leading figures in the festival committee along with local media who followed our very moves. You can easily tell from the video at the bottom how concentrated we were..
Here is a picture of me and my houkan partner (The Houkan will be playing the role of men in the actual parade)! My Oiran title is Sakura Tayuu (桜太夫), or Cherry Blossom Tayuu.
And finally, here is a video from our practice (all pictures in this post have been taken from this video):
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- The Tsubame Sakura Matsuri: Cherry Blossom PR & Last Minute Preparations
- Behind the Scene of the Tsubame Sakura Matsuri Festival - The Oiran Dochu
- Geisha vs. Oiran: The Characteristics of the Japanese Courtesans
- Try it yourself: An Oiran (花魁) Costplay Experience in Japan
- All blogposts about Festivals
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